Sketches in Silver and Gold

Autumn-Gold

Tangled-Bones-of-Autumn

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The-Bones-of-Autumn

The-Bones-of-Autumn4

Autumn-Gold4

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The-Bones-of-Autumn2

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Just a couple of days with warmer temperatures and the earth has gobbled up all the snow. It won’t be long before the landscape is blanketed in white again but in the meantime we are back to silver and gold. I made these photographs yesterday from the passenger seat of a car. The skies were a heavy grey but I love these moody colours of autumn.

© Karen McRae, 2014

Oscillations of the Landscape

A September road trip, Part 2 ~ Coming & GoingColourField_Trees1

ColourField_Grasses1

ColourField_Flowers2There have been only subtle colour shifts in the trees and shrubs so far but the crisp autumn winds seem to be settling in and over the landscape. The autumn metamorphosis will be hastening now.

[Drive-by photographs made from a moving vehicle.  *People sometimes ask if I make these images while driving and the answer is ‘no’ – This technique requires both hands and my full attention!]

© Karen McRae, 2014

Wild Blossoms

ColourField_Blossoms1As I sift through my photographs I realize that they are often much more painterly than many of the paintings I have made. I guess I have done enough ‘making of photographs’ that it becomes easier to let go – to be experimental – to play.

Somehow in all that play we stumble across visuals that lure us in and keep us going.  That keep us making. Images that express something we want to say or something that we feel even if those things are not easily put into words. It is a beautiful thing to be completely drawn in by what you are working on; to be lost in images and ideas and explorations.

I suppose I am trying to get through a painting ‘slump’ as I look at the many abandoned works littering my studio. Those canvasses seem to be getting impatient, though. I hope at some point the freedom I feel when wielding a camera will shift into a paint brush, or a pencil. These photographs I have been working on are nudging me towards something more tactile; not attempts to recreate what I have done photographically – though surely these things speak to each other – but to push past the stumbling block of expecting perfection and specific outcomes when I put a brush to canvas.  This is what I am learning – let go. There is nothing to lose, really, except the risk of getting lost in the work.

From the photographic series ‘Colour Field’
© Karen McRae, 2014

Wild Grasses

WildGrasses1 A photograph made by blending three different ‘drive-by’ images (and a smattering of selective erasing on 2 of the layers). It seems I am obsessively endlessly fascinated by the exploration of ‘movement’ when making photographs.  : )

From the photographic series ‘Colour Field’
© Karen McRae, 2014