Road Stories 2 ~ the edges of

A-Sweep-of-Light

DuskBridge

Left-Behind-_-Light-TrailsThe edges of the city in that in-between light at the edge of the day. It seems too we are in the fray of both winter and spring. But were making progress. It’s okay that it’s not moving along too quickly; I am trying to savour the slow release of the earth and the lethargic inching up of the thermometre.

Transitions can happen so quickly that there are times you can’t get to them. Can’t be in them. They are gone before you arrive. But the edges, they are full of possibilities too.

Sweep-of-Light-2crop

[These images were made while traveling in a moving car]

© Karen McRae, 2014

Things Lined Up Haphazardly

on a grey day…

Monumental-PoplarsThe tree images are in-camera double exposures. One exposure is a still shot and the other is made with camera movement (I think it’s worth clicking on the top image to see it larger). Today is sunny, though, and just warm enough for a bit of melting but there’s not too much spring here yet.

SwampTrees1

Wired-StarlingsIn spite of winter’s extensive embrace the birds seem rather cheerful. There is lots of singing and fluttering outside my window. I hope they don’t mind another 10-15 cm of snow that is apparently on its way… These are restless starlings ‘vibrating’ on a power line and even though they are out focus I sort of like the smudgy charcoal look of them. Well, happy (sort of) spring.    : )

© Karen McRae, 2014

Road Stories

WinterGrasses2

RainbowSky

A winter sky and roadside grasses. The sky actually looked just like this, with rainbow colours shimmering at the edges of the clouds. The little bird flew right into the frame just as I pressed the shutter.

[Photographs made while riding in a moving car.]

© Karen McRae, 2014

Night Light

NightLight1

NightLight3Sometimes when I feel like my work or ideas are getting monotonous I try to think of my camera as a sort of sketchbook and think of ways I might capture ‘sketches’ of the landscape rather than more ‘representative’ photographs. I’ll try using double exposures, long exposures and/or maybe camera movement to get a different sort of feel happening.

NightLight2These are a few images from a snowy winter evening when I went out to just play. No expectations or specific ideas – in my mind I was simply sketching the night and following my intuition as I experimented. I made setting adjustments as the camera gave me feedback. At times I used flash to capture the snowflakes and elements in the foreground along with exposures lasting several seconds, and at times also moving the camera to see what might happen.

NightLight4In the first image you can see that I was moving my camera up and down which created light trails from a light source on the other side of the woods. A strange image but there is something about it that I find oddly appealing. Perhaps it reinforces the idea that a camera is a tool with endless possibilities and every so often I need to be reminded of this.

I wasn’t initially planning on posting these as they seemed to be more about process than result – technically they are quite noisy – but I sort of like the soft-focused, grainy look of them and in the end they really are sketches of a snowy winter night.

© Karen McRae, 2014

The Shape of Winter, Elsewhere

SandbarRipples3

SandbarRipples1

SandbarRipples2

The-Exumas-from-the-Air-2

The-Exumas-from-the-Air-1

The-Exumas-from-the-Air-3

SandbarRipples7

SandbarRipples5 In this version of winter you cast off your boots and bulky layers and place your feet directly on the warm sand. Sand that you have gratefully borrowed for just a week. And you can’t stop looking at those marine blues of the sea and the graceful patterns the water makes. You want them etched in your mind forever. Damn, we live in a gorgeous world.

A counterpoint to the previous post, I guess. I’ve been away – feet in the sand, head in the clouds blue sky.

[Near and far views of the shifting landscape of Exuma, Bahamas. Sigh.]

© Karen McRae, 2014

Cold Enough

Cold enough for a rebirth of frost.

Shards assembling themselves

like a phoenix rising from damp ashes.

SundogCold enough for all-day sundogs

those almost rainbows – a compass around the sun.

Flow3Cold enough to feel alive

in the bright rays

Flow1in the cadence of the water

Flow2in the crisp beauty.

Cold enough to feel

until you go

numb.

°

© Karen McRae, 2014